Artist statement
Kirriji was produced from a mix of archival materials, found objects, and acrylic on paint. The Warumungu woman depicted in this work was originally photographed by Spencer and Gillen during their anthropological field work in Central Australia. Joseph Williams has used the digital reproductions of these photographs as source material for his own monochromatic paintings. They have been layered with old, transparent acetate mining maps salvaged from an abandoned mine near Tennant Creek.